Background to Cadenus and Vanessa, Jonathan Swift.

Vanessa is Esther Vanhomrigh : Cadenus is Swift. The poem was written in 1712, when Swift was 44 and in constant correspondence with Esther Johnson (the Stella of his poetry, MD in his letters), then in Ireland. In 1714 Swift returned to Ireland more or less permanently and Esther Vanhomrigh (Vanessa) followed him.

'(In 1710) the intimacy with the Vanhomrighs grew rapidly. They were near neighbours of Swift’s, and in a few weeks after his arrival in town we find frequent allusions to the dinners at their house (where he kept his best gown and periwig), sometimes with the explanation that he went there “out of mere listlessness,” or because it was wet, or because another engagement had broken down. Only thrice does he mention the “eldest daughter”: once on her birthday; once on the occasion of a trick played him, when he received a message that she was suddenly very ill (“I rattled off the daughter”); and once to state that she was come of age, and was going to Ireland to look after her fortune. There is evidence that “Miss Essy,” or Vanessa, to give her the name by which she will always be known, was in correspondence with Swift in July 1710—while he was still in Ireland—and in the spring of 1711; and early in 1711 Stella (Esther Johnson) seems to have expressed surprise at Swift’s intimacy with the family, for in February he replied, “You say they are of no consequence; why, they keep as good female company as I do male; I see all the drabs of quality at this end of the town with them.” In the autumn Swift seems to have thought that Vanessa was keeping company with a certain Hatton, but Mrs. Long—possibly meaning to give him a warning hint—remarked that if this were so “she is not the girl I took her for; but to me she seems melancholy.”

'In 1712 occasional letters took the place of the daily journal to “MD,” (Stella, Esther Johnson) but there is no change in the affectionate style in which Swift wrote. In the spring he had a long illness, which affected him, indeed, throughout the year. Other reasons which he gives for the falling off in his correspondence are his numerous business engagements, and the hope of being able to send some good news of an appointment for himself. There is only one letter to Stella between July 19 and September 15, and Dr. Birkbeck Hill argues that the poem “Cadenus and Vanessa” was composed at that time. If this be so, it must have been altered next year, because it was not until 1713 that Swift was made a Dean. Writing on April 19, 1726, Swift said that the poem “was written at Windsor near fourteen years ago, and dated: it was a task performed on a frolic among some ladies, and she it was addressed to died some time ago in Dublin, and on her death the copy shewn by her executor.” Several copies were in circulation, and he was indifferent what was done with it; it was “only a cavalier business,” and if those who would not give allowances were malicious, it was only what he had long expected.

'From this letter it would appear that this remarkable poem was written in the summer of 1712; whereas the title-page of the pamphlet says it was “written at Windsor, 1713.” Swift visited Windsor in both years, but he had more leisure in 1712, and we know that Vanessa was also at Windsor in that year. In that year, too, he was forty-four, the age mentioned in the poem. Neither Swift nor Vanessa forgot this intercourse: years afterwards Swift wrote to her, “Go over the scenes of Windsor. . . . Cad thinks often of these”; and again, “Remember the indisposition at Windsor.” We know that this poem was revised in 1719, when in all probability Swift added the lines to which most exception can be taken. Cadenus was to be Vanessa’s instructor:—

“His conduct might have made him styled
A father, and the nymph his child.”

He had “grown old in politics and wit,” and “in every scene had kept his heart,” so that he now “understood not what was love.” But he had written much, and Vanessa admired his wit. Cadenus found that her thoughts wandered—

“Though she seemed to listen more
To all he spoke than e’er before.”

When she confessed her love, he was filled with “shame, disappointment, guilt, surprise.” He had aimed only at cultivating the mind, and had hardly known whether she was young or old. But he was flattered, and though he could not give her love, he offered her friendship, “with gratitude, respect, esteem.” Vanessa took him at his word, and said she would now be tutor, though he was not apt to learn:—

“But what success Vanessa met
Is to the world a secret yet.
Whether the nymph to please her swain
Talks in a high romantic strain;
Or whether he at last descends
To act with less seraphic ends;
Or, to compound the business, whether
They temper love and books together,
Must never to mankind be told,
Nor shall the conscious Muse unfold.”

 

'(In 1714) the intimacy with Vanessa had been renewed. Her mother had died, leaving debts, and she pressed Swift for advice in the management of her affairs. When she suggested coming to Ireland, where she had property, he told her that if she took this step he would “see her very seldom.” However, she took up her abode at Celbridge, only a few miles from Dublin. Swift gave her many cautions, out of “the perfect esteem and friendship” he felt for her, but he often visited her. She was dissatisfied, however, begging him to speak kindly, and at least to counterfeit his former indulgent friendship. “What can be wrong,” she wrote, “in seeing and advising an unhappy young woman? You cannot but know that your frowns make my life unsupportable.” Sometimes he treated the matter lightly; sometimes he showed annoyance; sometimes he assured her of his esteem and love, but urged her not to make herself or him “unhappy by imaginations.” He was uniformly unsuccessful in stopping Vanessa’s importunity. He endeavoured, she said, by severities to force her from him; she knew she was the cause of uneasy reflections to him; but nothing would lessen her “inexpressible passion.”

'Unfortunately he failed—partly no doubt from mistaken considerations of kindness, partly because he shrank from losing her affection—to take effective steps to put an end to Vanessa’s hopes. It would have been better if he had unhesitatingly made it clear to her that he could not return her passion, and that if she could not be satisfied with friendship the intimacy must cease. To quote Sir Henry Craik, “The friendship had begun in literary guidance: it was strengthened by flattery: it lived on a cold and almost stern repression, fed by confidences as to literary schemes, and by occasional literary compliments: but it never came to have a real hold over Swift’s heart.”

'In 1723 Vanessa is said to have written to Stella or to Swift—there are discrepancies in the versions given by Sheridan and Lord Orrery, both of whom are unreliable—asking whether the report that they were married was true. Swift, we are told, rode to Celbridge, threw down Vanessa’s letter in a great rage, and left without speaking a word. Vanessa, whose health had been failing for some time, died shortly afterwards, having cancelled a will in Swift’s favour. She left “Cadenus and Vanessa” for publication, and when someone said that she must have been a remarkable woman to inspire such a poem, Stella replied that it was well known that the Dean could write finely upon a broomstick.'

From the Journal to Stella by Jonathan Swift with preface, introduction and notes by George A. Aitken.

In the following extract, Samuel Johnson assumes that Swift was married to Esther Johnson (Stella), though this is not certain.

'In 1723 died Mrs. Van Homrigh, a woman made unhappy by her admiration of wit, and ignominiously distinguished by the name of Vanessa, whose conduct has been already sufficiently discussed, and whose history is too well knew to be minutely repeated. She was a young woman fond of literature, whom Decanus the Dean, called Cadenus by transposition of the letters, took pleasure in directing and instructing till, from being proud of his praise, she grew fond of his person. Swift was then about forty-seven, at an age when vanity is strongly excited by the amorous attention of a young woman. If it be said that Swift should have checked a passion which he never meant to gratify, recourse must be had to that extenuation which he so much despised, men are but men: perhaps however he did not at first know his own mind, and, as he represents himself, was undetermined. For his admission of her courtship, and his indulgence of her hopes after his marriage to Stella, no other honest plea can be found, than that he delayed a disagreeable discovery from time to time, dreading the immediate bursts of distress, and watching for a favourable moment. She thought herself neglected, and died of disappointment; having ordered by her will the poem to be published, in which Cadenus had proclaimed her excellence, and confessed his love. The effect of the publication upon the Dean and Stella is thus related by Delany.

'I have good reason to believe, that they both were greatly shocked and distressed (though it may be differently) upon this occasion. The Dean made a tour to the South of Ireland, for about two months, at this time, to dissipate his thoughts, and give place to obloquy. And Stella retired (upon the earnest invitation of the owner) to the house of a cheerful, generous, good-natured friend of the Dean's, whom she also much loved and honoured. There my informer often saw her; and, I have reason to believe, used his utmost endeavours to relieve, support, and amuse her, in this sad situation.

'One little incident he told me of, on that occasion, I think I shall never forget. As her friend was an hospitable, open-hearted man, well-beloved, and largely acquainted, it happened one day that some gentlemen dropt in to dinner, who were stranger to Stella's situation ; and as the poem of 'Cadenus and Vanessa' was then the general topic of conversation, one of them said, 'Surely that Vanessa must be an extraordinary woman, that could inspire the Dean to write so finely upon her.' Mrs. Johnson smiled, and answered, "that she thought that point not quite so clear; for it was well known the Dean could write finely upon a broomstick."'

from Lives of the Poets, Preface to the Poetry of Jonathan Swift by Samuel Johnson.

'There are two new volumes...of Swift's Correspondence, that will not amuse you less in another way, though abominable, for there are letters of twenty persons now alive......There is one to his Miss Vanhomrigh, from which I think it plain he lay with her, notwithstanding his supposed incapacity, yet not doing much honour to that capacity, for he says he can drink coffee but once a week, and I think you will see very clearly what he means by coffee. His own jounal sent to Stella during the four last years of the Queen is a fund of entertainent. You will see his insolence in full colours, and, at the same time, how daily vain he was of being noticed by the minitsters he affected to treat arrogantly. '

Horace Walpole, Letters, Letter to George Montagu, 20 June 1766.